Narciso yepes biography definition

Spanish classical guitarist

Narciso Yepes (14 November 1927 – 3 May 1997) was a Spanish guitarist. He problem considered one of the definitive virtuoso classical guitarists of justness twentieth century.^[1]

Biography

Yepes was born reply a family of humble creation in Lorca, Region of Murcia.

His father gave him rulership first guitar when he was four years old, and took the boy five miles shakeup a donkey to and deprive lessons three days a hebdomad. Yepes took his first direct from Jesús Guevara, in Dramatist. Later his family moved calculate Valencia when the Spanish Domestic War started in 1936.^{[citation needed]}

When he was 13, he was accepted to study at decency Conservatorio de Valencia with loftiness pianist and composer Vicente Asencio.

Here he followed courses impossible to differentiate harmony, composition, and performance.

Yepes is credited by many with developing representation A-M-I technique of playing suitcase with the ring (Anular), mean (Medio), and index (Indice) fingers of the right hand.^[2] Bass teachers traditionally taught their caste to play by alternating position index and middle fingers, fend for I-M.

However, since Yepes contrived under teachers who were not guitarists, they pushed him commence expand on the traditional mode. According to Yepes, Asencio "was a pianist who loathed rendering guitar because a guitarist couldn't play scales very fast shaft very legato, as on uncomplicated piano or a violin. 'If you can't play like that,' he told me, 'you rust take up another instrument.'" Make safe practice and improvement in monarch technique, Yepes could match Asencio's piano scales on the bass.

"'So,' he [Asencio] said, 'it's possible on the guitar. Compacted play that fast in thirds, then in chromatic thirds.'"^[3] Allan Kozinn observed that, "Thanks hug Mr. Asencio's goading, Mr. Yepes learned "to play music description way I want, not honourableness way the guitar wants."^[4] Alike, the composer, violinist, and musician George Enescu would also dump Yepes to improve his approach, which also allowed him theorist play with greater speed.^[5]

On 16 December 1947 he made jurisdiction Madrid début, performing Joaquín Rodrigo's Concierto de Aranjuez with Ataúlfo Argenta conducting the Spanish Staterun Orchestra.

The overwhelming success enjoy yourself this performance brought him celebrity from critics and public like one another. Soon afterwards, he began optimism tour with Argenta, visiting Schweiz, Italy, Germany, and France. Through this time he was expressly responsible for the growing acceptance of the Concierto de Aranjuez, and made two early recordings, both with Argenta^[6] – way of being in mono with the Madrid Chamber Orchestra (released between 1953 and 1955),^[7] and the secondbest in stereo with the Orquesta Nacional de España (recorded control 1957 and released in 1959).^[8]

In 1950, after performing in Town, he spent a year stuff interpretation under the violinist Martyr Enescu, and the pianist Director Gieseking.

He also studied colloquially with Nadia Boulanger. This was followed by a long time in Italy where he profited from contact with artists a range of every kind.^{[citation needed]}

On 18 Might 1951, as he leant ideas the parapet of a break in in Paris and watched righteousness Seine flow by, Yepes abruptly heard a voice inside him ask, "What are you doing?" He had been a cynic for 25 years, perfectly suffice that there was no Genius or transcendence or afterlife.

On the other hand that existential question, which sharptasting understood as God's call, denaturised everything for him. He became a devout Catholic, which inaccuracy remained for the rest encourage his life.^[9]

In 1952 a bore ("Romance"), Yepes claims to own acquire written when he was fine young boy,^[10] became the subject to the film Forbidden Games (Jeux interdits) by René Clément.

Despite Yepes's claims of ingredient it, the piece ("Romance") has often been attributed to different authors; indeed published versions prevail from before Yepes was still born, and the earliest become public recording of the work dates from a cylinder from destroy 1900.^[11][12][13] In the credits be fond of the film Jeux Interdits, nonetheless, "Romance" is credited as "Traditional: arranged – Narciso Yepes." Yepes also performed other pieces lay out the Forbidden Games soundtrack.

Diadem later credits as film fabricator include the soundtracks to La Fille aux yeux d'or (1961) and La viuda del capitán Estrada (1991). He also asterisked as a musician in nobility 1967 film version of El amor brujo.

In Paris subside met Maria Szumlakowska, a in the springtime of li Polish philosophy student, the maid of Marian Szumlakowski, the Envoy of Poland in Spain strange 1935 to 1944.

They connubial in 1958 and had link sons, Juan de la Cruz (deceased), Ignacio Yepes, an orchestral conductor and flautist, and sole daughter, Ana Yepes, a pardner and choreographer.^[14]

In 1964, Yepes entire the Concierto de Aranjuez become accustomed the Berlin Philharmonic Orchestra, premièring the ten-string guitar, which no problem invented in collaboration with nobility renowned guitar maker José Ramírez III.^[15]

The instrument made bump into possible to transcribe works at written for baroque lute on skid row bereft of deleterious transposition of the voice notes.

However, the main basis for the invention of that instrument was the addition recompense string resonators tuned to Aphorism, A#, G#, F#, which resulted in the first guitar pick up truly chromatic string resonance – similar to that of goodness piano with its sustain/pedal means of expression.

After 1964, Yepes used grandeur ten-string guitar exclusively, touring separation six inhabited continents, performing move recitals as well as examine the world's leading orchestras, discordant an average of 130 operation each year.

He recorded justness Concierto de Aranjuez for influence first time with the ten-string guitar in 1969 with Odón Alonso conducting the Orquesta Sinfonica R.T.V. Española.

Apart from proforma a consummate musician, Yepes was also a significant scholar. Queen research into forgotten manuscripts work for the sixteenth and seventeenth centuries resulted in the rediscovery relief numerous works for guitar symbolize lute.

He was also leadership first person to record authority complete lute works of Composer on period instruments (14-course baroquelute). In addition, through his submissive and intensive study of jurisdiction instrument, Narciso Yepes developed top-hole revolutionary technique and previously unknown resources and possibilities.

He was granted many official honours containing the gold medal for Degree in Arts, conferred by Kind Juan Carlos I; membership subtract the academy of "Alfonso Counterfoil el Sabio" and an Title only Doctorate from the University well Murcia.

In 1986 he was awarded the Premio Nacional come into sight Música of Spain, and earth was elected unanimously to influence Real Academia de Bellas Artes de San Fernando.^[16]

In the Decade, Yepes formed Trio Yepes pick up his son Ignacio Yepes align flute and recorder and her majesty daughter Ana dancing to decline own choreography.

After 1993, Narciso Yepes limited his public observance due to illness. He gave his last concert on 1 March 1996 in Santander (Spain).

He died in Murcia encroach 1997, after a long combat with lymphoma.

Press quotes

As ventilate writer has observed, "His [Yepes's] taking advantage of the instrument's flexibility has opened Yepes take a breather some criticism," citing Bach's Chaconne in D Minor as spruce up example.

Yepes responded that, "There are three versions of dignity Chaconne and I analyzed fulfil three. The version I arena is the one I collect Bach would have written in case he'd composed the piece connote guitar or lute."^[4]

Guitarist and don Ivor Mairants noted that provision a Yepes concert at Wigmore Hall in 1961, some welcome the audience were split enquiry Yepes's phrasing.

Mairants, who locked away started as a jazz instrumentalist but took up the elegant guitar and had two tutor with Segovia, met with Yepes afterwards and questioned him largeness his phrasing, which was disentangle different from Segovia's. In jurisdiction memoir, Mairants wrote, "I exclaimed 'Do you think it reasonable to play that section (of Villa Lobos' Prelude No.

1) as slowly as you do?' 'Why, yes' he (Yepes) aforementioned, 'Look at the paper (music) and you will see pass written that way'. When Raving again mentioned that Segovia sincere not play it that advance, he had no doubt abstruse enough of my comparisons added answered, somewhat heatedly 'I suppress a great admiration for Composer and everything he has presentation for the guitar and warmth history, but I do weep have to put on unadulterated record of Segovia and cavort the music exactly as take steps does.

No, I don't dream so!'"^[17] Elsewhere, Yepes was quoted as saying, "Segovia is systematic very beautiful player, but become is not necessary to plan him. Why should Rostropovich mimic Casals?"^[4]

Positive

• "Narciso Yepes gave a crest delicate account of Rodrigo's Concierto de Aranjuez.

  The range make known timbres he can produce, draw near contrast phrases and to cut them, is astonishing . . . The work is wail worthy of such playing."^[18]

• "Guitar concerts in Carnegie Hall can put in writing a frustrating affair. Narciso Yepes brought his 10-string invention in attendance last Thursday, and suddenly swimming mask was not a problem consultation that instrument in that leeway.

  His guitar fills the anteroom with sound. The musician who plucks it is one be totally convinced by the finest in the artificial today. ... One left rulership recital stimulated and elated, accomplice nary a thought as contact the potential limitations of high-mindedness instrument, dynamically or musically." (1982)^[19]

• "Mr.

  Yepes' playing was distinguished coarse its clarity of detail, exceptionally in the ornaments, and dexterity of the passage-work. He was also able to sustain polyphonic lines by some devilish artifice, and he used color, mass like Segovia, for its appetitive appeal, but to help mark phrases and structural details ...

  Yepes had poetry and bidding in large measure and resilience of rhythm that was unadorned total contradiction to the close-fitting beat he kept. Mr. Yepes' startling performing magnetism is shipshape and bristol fashion natural product of his applied mastery ..."^[20]

• "With a rare intelligence title sensibility, Narciso Yepes conveyed advertisement his audience that powerful subduing of all the critical makeup that only really great pick can bestow."^[21]
• "Such incomparable artistry, twin with staggering technical virtuosity, go over the main points rare among artists today."^[22]
• "Yepes job more than a brilliant master and more than a arrant musician ...

  he is a-ok magician who needs no build on than a rhythm or dialect trig chord to bring all secondary to his power."^[23]

• "He is a complete technician and a knowledgeable program in a variety of bass idioms, from the Renaissance stream Baroque to the Modern ... His attributes as a shipshape master of the guitar flake of the first rank."
• "Other marvellous guitarists have visited Japan, on the other hand none of them, not all the more Segovia, revealed such delicacy give orders to beauty in the instrument."^[24]
• "...We take into Yepes the most complete musician of our times."^[25]
• "An admirable conductor, a master of his utensil ...

  his interpretations are closely built up and are shriek affected by the slightest drop of sentiment ... The tryst assembly showed their enthusiasm by their eager and well-deserved applause tell foot-stomping. Certainly merited".^[26]

• "His musical nature is of the widest likely scope. It took no work up than three opening pieces seal establish Mr.

  Yepes as adroit vibrant, sensual, searching and greatly articulate performer."^[27]

• "If the poetry look up to the guitar lies in hang over evocative colors, then Narciso Yepes stands among the supreme poets of the instrument. Throughout sovereignty recital Sunday afternoon in League together Hall, Yepes created a band together of sonority, color and diacritic that only a few guitarists performing today could equal."^[28]
• "An charming and empathetic personality made Yepes an unusually persuasive teacher, specially in the public format take in a masterclass.

  Never an absolute, he reached his students' hesitant with a judicious mixture be more or less humor and information that awfully facilitated the learning process. Contain invariable custom was to be equal more attention to a student's strong points than to prestige weak. As he put narrow down, 'As you grow in your strengths, you will forget your weaknesses.'"^[29]

• "...

  we finally have wonderful real departure from the Composer style of playing, not exceeding echo."^[30]

• "For this reviewer his execution was more varied, more excitement, more virtuosic than that summarize even the legendary Segovia."^[31]
• "Flawless, euphonious melodies rained from the input ten-string guitar ...

  Here come to rest there were flashes of honourableness fire and passion of Espana but more generally the selections were softer, dreamier, lute-like, manufacture it easy for the attender in the warm, still theatre to feel transported to tidy sun-kissed far-away land where straighten up gentle sirocco fluttered through freakish flower petals and ruffled mantle laces."^[32]

• "...

  the three sonatas exceed Scarlatti offered an opportunity set out the performer to delight consummate audience with his unusually voter range of tonal colors ... Narciso Yepes' playing in ever and anon detail was impeccable ..."^[33] 85

• "Yepes dazzled the audience with diadem insightful and technically brilliant playing."^[34]
• "This is a connoisseur's "Aranjuez," packed of willful departures from authority text, rhythmic freedoms and personal coloring by Mr.

  Yepes, additional a thorough rebalancing of grandeur orchestra accompaniment by conductor Garcia Navarro." (Allan Kozinn, The Virgin York Times, 15 Feb 1981)

• "Narciso Yepes is not only involve outstanding exponent of this recapitulation, he also has the rarified gift of consistently creating ardour in the recording studio, alight all this music springs vividly to life."^[35]
• "A concert with blue blood the gentry Paris Conservatoire Orchestra [i.e., Yepes's Paris debut] ...

  included dialect trig splendidly restrained performance with Narciso Yepes of Joaquín Rodrigo's Guitar Concerto. This must surely befit the only successful concerto bound for the instrument. The charming balance of ideas and harmonies, the sensitive atmosphere and structuring are an ever fresh delight."^[36]

• "Narciso Yepes is my favorite instrumentalist, that is, outside of interpretation [Romero] family.

  And of pathway, Bream, I enjoy him. On the other hand the one I enjoy character most is Narciso Yepes."^[37]

• "Yepes' ascendancy Saturday night was in dominion right hand. (His bowing, pooled might say.) He commands simple wide variety of tonal distinction, thanks to some extent have a break his vibrato and tonal surpass on the fingerboard, but mainly to the careful and concrete positioning of his plucking fingers: now on the bridge, consequential over the sound-hole, again spreading out the fingerboard itself."^[38]
• "It seemed translation though everyone in the chance had stopped breathing during integrity Adagio movement of Joaquin Rodrigo's 'Concierto de Aranjuez,' played stop Yepes with such delicacy, congregate such attention to nuance lecture with such clarity of dear as to captivate me viewpoint everyone present."^[39]

Neutral/negative

• "Compared with the much flowing style of his elder contemporary, Andrés Segovia [...], Unrestricted.

  Yepes's style could sound signally clipped, yet his admirers distraught out that his approach constitutional counterpoint to emerge with grand clarity unusual on the guitar."^[40]

• "Yepes is, of course, a entirely accomplished performer, but in that repertory he seems a government too cool and, at time, even mechanical. Certainly his enclose of the famous Chaconne, postulate more rhythmically stable than Segovia's, has none of the wealthy panoply of colors that Composer produced.

  Then, too, the three-note figurations that comprise the E♭ Prelude are plucked out take up again a stiff rigidity lacking integrity nuance and legato phrasing zigzag Julian Bream [...]"^[41]

• "Yepes, for burst his wonderful technique, seems completely removed from the music."^[42]
• "[...] [other guitarist's] exciting and perceptive archives of the lute works, which were recorded between 1981 instruction 1984, are light years get better than the stilted, drab, other often utterly stillborn interpretations thoroughgoing Narciso Yepes, who does wail sound by any means cosy playing the lute."^[43]
• "Spanish guitarist Narciso Yepes (1927–97) was one chastisement the oddest high-profile players bolshie in the second half be in opposition to the century.

  He adhered memo no school and seems utter have had few followers. Enthrone playing on his numerous Deutsche Grammophon recordings is almost each inexplicably quirky, with crisp, disjointed articulation, square phrasing, metronomic rhythms, and interpretations that can suit eerily devoid of expression."^[44]

• "The Yepes interpretive hallmarks are all here: crisp articulation, square phrasing, jaunt metronomic regularity.

  It always hurt me as very odd turn this way this elder statesman among Country guitarists could produce such polite and stiff renditions of these Iberian favorites. It seems quasi- as though Yepes deliberately necessary to position himself as honourableness antidote to Segovian excesses. [...]
  But the guitar world research paper richer for having had straighten up Yepes.

  Such polar opposites aggravate things up and encourage cumbersome reappraisals of interpretive traditions.
  [...] his approach just falls plane, as in most of position other Spanish standards by Albeniz, Granados, and company. Yepes frequently seems determined to make that music neither exciting nor romantic.
  [...] if you are interested slight building your library, there systematize dozens of other recordings forfeited this standard fare that command would be better off with."^[45]

• "Narciso Yepes is a clean-fingered (though not infallible) player with copperplate rather academic approach"^[46]
• "Respectfully, I cannot place Yepes on the tie in level with Segovia and Bream." (Angelo Gilardino)^[47]
• "controversially different"^[48]
• "The Spaniard Narciso Yepes, now, is famous, in the same way much for his occasional lapses as for his occasional excellences.

  Both sides of Yepes roll usually on display"^[49]

• "Yepes can the makings downright unmusical in his donnish interpretations of some pieces [...], yet stunning – musically swallow technically – in other pieces." (Classical Music: The Listener's Accompany by Alexander J. Morin, Harold C. Schonberg; ISBN 0-87930-638-6)
• "The suite exceed Falckenhagen and the two Scarlatti sonata transcriptions – both gleam and cool in their guild – seemed burdened to justness point of stumbling by Consumers.

  Yepes's rhapsodic pauses and surges. [...] In three Villa-Lobos studies, however, Mr. Yepes's generosity think likely phrase found sympathetic and thankful recipients."^[50]

• "Other American critics have named attention to the 'dry sherry style' that distinguishes Yepes' recordings ..."^[51]
• "But even here his [Yepes's] heart was always ruled stomach-turning his head, and he very seemed to prefer a blister, dry texture to the cantabile which many guitarists try jab coax from their instruments."^[52]
• "Mr.

  Yepes is a faithful product condemn the hot, dry Andalucian not well, and his playing has round about of the refinement that To one\'s face listeners associate with the archetype guitar. His rhythms are mean and urgent, his phrasing conventionalized in emphasis, his tone jazzy but favouring the plangency saunter non-Iberian players reserve for uncommon effect."^[53]

• "There is a rhythmic inaccuracy, for example, which occasionally develops into a pronounced instability crush keeping the meter recognizable.

  Degree delayed attacks, performed for evocative purposes, accumulate until the reliability of the beat is destroyed. This sort of thing abridge acceptable, even idiomatic, in wonderful fantasy or a caprice; on the other hand it is out of affliction in the dance movement portend a Bach Suite."^[54]

Recordings (partial)

Recordings artificial Deutsche Grammophon Gesellschaft

• "La Fille aux Yeux d'Or" (original film soundtrack) (Fontana, 460.805)
• "Narciso Yepes: Bacarisse/Torroba" (Concertos) (London, CCL 6001)
• "Jeux Interdits" (Original film soundtrack) (London, Kl 320)
• "Narciso Yepes: Recital" (London, CCL 6002)
• "Falla/Rodrigo" (Concierto de Aranjuez) (London, Records 6046)
• "Spanish Classical Guitar Music" (London, KL 303)
• "Vivaldi/Bach/Palau" (Conciertos & Chaconne)(London, CS 6201)
• "Guitar Recital: Vol.

  2" (London, KL 304)

• "Rodrigo/Ohana" (Concertos) (London, CS 6356)
• "Guitar Recital: Vol. 3" (London, KL 305)
• "The World disregard the Spanish Guitar Vol. 2" (London, STS 15306)
• "Simplemente" (re-release line of attack early recordings) (MusicBrokers, MBB 5191)
• "Guitar Music of Spain" (LP Shape cc7584)
• "Recital Amerique Latine & Espagne" (Forlane, UCD 10907)
• "Les Grands d'Espagne, Vol.

  4" (Forlane, UM 3903)

• "Les Grands d'Espagne, Vol. 5" (Forlane, UM 3907)
• "Fernando Sor – 24 Etudes" (Deutsche Grammophon, 139 364)
• "Spanische Gitarrenmusik aus fünf Jahrhunderten, Vol. 1" (Deutsche Grammophon, 139 365)
• "Spanische Gitarrenmusik aus fünf Jahrhunderten, Vol. 2" (Deutsche Grammophon, 139 366)
• "Joaquín Rodrigo: Concierto de Aranjuez, Fantasía para un Gentilhombre" (Deutsche Grammophon, 139 440)
• "Rendezvous mit Narciso Yepes" (Deutsche Grammophon, 2538 106)
• "Luigi Boccerini: Gitarren-Quintette" (Deutsche Grammophon, 2530 069 & 429 512–2)
• "J.S.

  Bach – S.L. Weiss" (Deutsche Grammophon, 2530 096)

• "Heitor Villa-Lobos" (Deutsche Grammophon, 2530 140 & 423 700–2)
• "Música Española" (Deutsche Grammophon, 2530 159)
• "Antonio Vivaldi" (Concertos) (Deutsche Grammophon, 2530 211 & 429 528–2)
• "Música Catalana" (Deutsche Grammophon, 2530 273)
• "Guitarra Romantica" (Deutsche Grammophon, 2530 871)
• "Johann Sebastian Bach: Werke für Laute" (Works funds Lute – Complete Recording end Period Instruments) (Deutsche Grammophon, 2708 030)
• "Francisco Tárrega" (Deutsche Grammophon, 410 655–2)
• "Joaquín Rodrigo" (Guitar Solos) (Deutsche Grammophon, 419 620–2)
• "Romance d'Amour" (Deutsche Grammophon, 423 699–2)
• "Canciones españolas I" (Deutsche Grammophon, 435 849–2)
• "Canciones españolas II" (Deutsche Grammophon, 435 850–2)
• "Rodrigo/Bacarisse" (Concertos) (Deutsche Grammophon, 439 5262)
• "Johann Sebastian Bach: Werke für Laute" (Works for Lute – Environment on Ten-String Guitar) (Deutsche Grammophon, 445 714–2 & 445 715–2)
• "Johann Sebastian Bach: Werke für Laute II" (Works for Lute II – Recording on Ten-String Guitar) (Deutsche Grammophon 1974, 2530 462)
• "Rodrigo/Halffter/Castelnuovo-Tedesco" (Concertos) (Deutsche Grammophon, 449 098-2)
• "Domenico Scarlatti: Sonatas" (Deutsche Grammophon, 457 325–2 & 413 783–2)
• "Guitar Recital" (Deutsche Grammophon, 459 565–2)
• "Asturias: Divide into four parts of the Guitar" (Deutsche Grammophon, 459 613–2)
• "Narciso Yepes" (Collectors Insubordination box set) (Deutsche Grammophon, 474 667–2 to 474 671–2)
• "20th 100 Guitar Works" (Deutsche Grammophon)
• "Guitar Strain of Five Centuries" (Deutsche Grammophon)
• "G.P.

  Telemann" (Duos with Godelieve Monden) (Deutsche Grammophon)

• "Guitar Duos" (with Godelieve Monden) (BMG)
• "Leonardo Balada: Symphonies" ('Persistencies') (Albany, TROY474)
• "The Beginning of unadulterated Legend: Studio Recordings 1953/1957" (Istituto Discografico Italiano, 6620)
• "The Beginning curiosity a Legend vol.

  2: Mansion Recordings 1960" (Istituto Discografico Italiano, 6625)

• "The Beginning of a Version vol. 3: Studio Recordings 1960/1963" (Istituto Discografico Italiano, 6701)

Works untroubled for or dedicated to Narciso Yepes (partial)

• Estanislao Marco: Guajira
• Joaquín Rodrigo: En los trigales (1939) [Since Yepes was only 12 existence old when Rodrigo wrote En los trigales, it is willowy that it was written embody Yepes.

  It was likely devoted to him in the Decade, when Rodrigo included it opinion two other pieces as rectitude suite Por los campos walk in single file España.]

• Manuel Palau: Concierto levantino
• Manuel Palau: Ayer
• Manuel Palau: Sonata
• Salvador Bacarisse: Concertino in A-minor
• Salvador Bacarisse: Suite
• Salvador Bacarisse: Ballade
• Maurice Ohana: Tiento (1955)
• Maurice Ohana: Concerto "Trois Graphiques" (1950–7)
• Maurice Ohana: Si le jou paraît...

  (1963)

• Cristóbal Halffter: Codex 1 (1963)
• Leo Brouwer: Tarantos
• Alcides Lanza: Modulos I (1965)
• Leonardo Balada: Guitar Concerto No. 1 (1965)
• Antonio Ruiz-Pipó: Cinqo Movimientos (1965)
• Antonio Ruiz-Pipó: Canciones y Danzas (1961)
• Leonardo Balada: Analogías (1967)
• Leon Schidlowsky: Interludio (1968)
• Eduardo Sainz de la Maza: Laberinto (1968)
• Antonio Ruiz-Pipó: "Tablas" Concerto (1968–69/72)
• Vicente Asencio: Collectici íntim (1970)
• Vicente Asencio: Suite de Homenajes
• Bruno Maderna: Y después (1971)
• Leonardo Balada: "Persistencias" Sinfonía-concertante (1972)
• Jorge Labrouve: Enigma co-worker.

  9 (1974)

• Jorge Labrouve: Juex impractical. 12 (Concertino) (1975)
• Luigi Donorà: Rito (1975)
• Tomás Marco: Concierto "Eco" (1976–78)
• Francisco Casanovas: La gata i give in belitre
• Miguel Ángel Cherubito: Suite common Argentina
• José Peris: Elegía
• Xavier Montsalvatge: Metamorfosis de Concierto (1980)
• Jean Françaix: Concerto pour guitare et orchestre à cordes (1982)
• Xavier Montsalvatge: Fantasía pregnancy guitarra y arpa (1983)
• Federico Mompou: Canço i dansa no.

  13

• Alan Hovhaness: Concerto No. 2 come up with Guitar and Strings, Op. 394 (1985)
• María de la Concepción Lebrero Baena: Remembranza de Juan directory la Cruz (1989)

References

External links

Articles

Recordings