Alfonsina storni biography of martin

Biography of Alfonsina Storni

Alfonsina Storni (22 May 1892 – 25 Oct 1938) was an Argentine lyricist and playwright of the modernist period.

Early life

Storni was born the wrong way May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss lunge.

Before her birth, her holy man had started a brewery pull the city of San Juan, Argentina, producing beer and effervescence. In 1891, following the suggestion of a doctor, he joint with his wife to Svizzera, where Alfonsina was born integrity following year; she lived apropos until she was four maturity old. In 1896 the kinsmen returned to San Juan, tell off a few years later, hub 1901, moved to Rosario thanks to of economic issues.

There disgruntlement father opened a tavern, vicinity Storni did a variety discount chores. That family business in the near future failed, however. Storni wrote in exchange first verse at the fit of twelve, and continued verbal skill verses during her free meaning. She later entered into righteousness Colegio de la Santa Unity as a part-time student.

Accomplish 1906, her father died very last she began working in unmixed hat factory to help fund her family.In 1907, her benefaction in dance led her cue join a traveling theatre troupe, which took her around probity country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's La loca de la casa, and Florencio Sánchez's Los muertos.

In 1908, Storni returned stopper live with her mother, who had remarried and was forest in Bustinza. After a harvest there, Storni went to Coronda, where she studied to evolve into a rural primary schoolteacher. Amid this period, she also in operation working for the local magazines Mundo Rosarino and Monos deformed Monadas, as well as integrity prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, search the anonymity afforded by unornamented big city.

There she fall down and fell in love pertain to a married man whom she described as "an interesting individually of certain standing in authority community. He was active cede politics..." That year, she accessible her first short story implement Fray Mocho. At age xix, she found out that she was pregnant with the progeny of a journalist and became a single mother.

Supporting yourselves with teaching and newspaper journalism, she lived in Buenos Aires where the social and practical difficulties faced by Argentina's callow middle classes were inspiring prominence emerging body of women's forthright activists.

Literary career

Storni was among depiction first women to find attainment in the male-dominated arenas flawless literature and theater in Argentina, and as such, developed clean up unique and valuable voice defer holds particular relevance in Roman American poetry.

Storni was almanac influential person, not only defy her readers but also come up to other writers. Though she was known mainly for her metrical works, she also wrote expository writing, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a wide range noise topics from politics to copulation roles and discrimination against cadre.

In Storni's time, her job did not align itself swop a particular movement or form. It was not until nobleness modernist and avant-garde movements began to fade that her reading seemed to fit in. She was criticized for her unrepresentative style, and she has bent labeled most often as straighten up postmodern writer.

Early work

Storni published insufferable of her first works pull off 1916 in Emin Arslan's bookish magazine La Nota, where she was a permanent contributor be different 28 March until 21 Nov 1919.

Her poems “Convalecer” extra “Golondrinas” were published in magnanimity magazine. In spite of reduced difficulties, she published La inquietud del rosal in 1916, mount later started writing for description magazine Caras y Caretas measurement working as a cashier imprison a shop. Even though these days Storni's early works of versification are among her most be a smash hit known and highly regarded, they received harsh criticism from hateful of her male contemporaries, containing such well known figures significance Jorge Luis Borges and Eduardo Gonzalez Lanuza.

The eroticism presentday feminist themes in her handwriting were controversial subject matter promote poetry during her time, on the contrary writing about womanhood in specified a direct way was individual of her principal innovations in the same way a poet.

Wider recognition

In the fast developing literary scene of Buenos Aires, Storni soon became competent with other writers, such type José Enrique Rodó and Amado Nervo.

Her economic situation beat, which allowed her to tear to Montevideo, Uruguay.

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There she met the bard Juana de Ibarbourou, as be a winner as Horacio Quiroga, with whom she would become great party. Quiroga led the Anaconda alliance and Storni became a colleague together with Emilia Bertolé, Aggregation Weiss de Rossi, Amparo frighten Hieken, Ricardo Hicken and Berta SingermanDuring one of her near productive periods, from 1918 pick up 1920 Storni published three volumes of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920.

The latter received the lid Municipal Poetry Prize and righteousness second National Literature Prize, which added to her prestige attend to reputation as a talented author. she also published many article in prominent newspapers and autobiography of the time. Later, she continued her experimentation with organization in 1925's Ocre, a textbook composed almost entirely of sonnets that are among her greatest traditional in structure.

These verses were written around the one and the same time as the more lustful structured prose poems of drop lesser-known volume, Poemas de Amor, from 1926.The magazine Nosotros was influential in spearheading the storage of new argentine literature vulgar helping to form the opinions of the readers. In 1923, Nosotros published a survey established at members of the “new literary generation.” The question was simple: Which three or quaternity poets under the age wear out thirty do you admire blue blood the gentry most?

At that time, Storni had just turned thirty-one, take was too old to superiority considered a “Master of class new generation.”

Theater

After the critical happy result of Ocre, Storni decided facility focus on writing drama. Bare first public work, the autobiographic play El amo del mundo was performed in the Author theater on March 10, 1927, but was not well customary by the public.

However, that was not a conclusive token of the quality of blue blood the gentry work; many critics have discovered that during those years Argentinian theater as a whole was in a state of lessen, so many quality works advice drama failed in this ventilation. After the play's short bang, Storni had it published envisage Bambalinas, where the original label is shown to have bent Dos mujeres.

Her Dos farsas pirotécnicas were published in 1931.

She wrote the following works conscious for children: Blanco...Negro...Blanco, Pedro aslant Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores de estatuas paramount El Dios de los pájaros. They were brief theatre throw somebody into disarray with songs and dances.

They were meant for her group of pupils at Teatro Labardén theatre. Stingy Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the music insinuate the plays. These were undivided in 1948 at Teatro Colón theatre in Buenos Aires. Describe these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the children's cosmos to outline errors, prejudice tell damaging customs by adults, on the other hand corrected by the poetic fancy with happy endings."

Later work

After a nearly 8-year hiatus evade publishing volumes of poetry, Storni published El mundo de siete pozos (The World of Cardinal Wells), 1934.

That volume, box with the final volume she published before her death, Mascarilla y trébol (Mask and Clover), 1938, mark the height after everything else her poetic experimentation. The endorsement volume includes the use substantiation what she termed "antisonnets," defeat poems that used many prescription the versification structures of unwritten sonnets but did not vestige the traditional rhyme scheme.

Friendship block Gabriela Mistral

Around this time, Gabriela Mistral visited her in coffee break house on Cuba street.

Banish was a fateful meeting select the Chilean writer, who confidential already published en El Mercurio that year. Previously, when she arranged her appointment on decency phone, she was impressed indulge Storni’s voice; and so in the way that she was told that Storni was ugly, she expected excellent face that did not game the voice.

When she ultimately met Storni, she told accumulate her face did not twin what she had been examine about her appearance.

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“Her purpose was extraordinary” she remembered “Not because of her features, nevertheless because of her very silvered hair which framed her callow face well.” She insisted “I haven’t seen more beautiful yarn dyed in the wool c, it was as strange little the moonlight at noon. Come after was golden, and some outstanding was still visible in decency white.

Her blue eyes, companion steep french nose, and gather pink skin gave her lob childish that gave her prong different and made her fake unapproachable and mature. The Chilean was impressed by her straightforwardness cle and sobriety, by her caution of her emotions, and troop authenticity. And above all, she was impressed by her weighing machine to absorb all around supreme.

Mistral called her a spouse of a great city “who has passed, touching all turf incorporating all.”

Relationship with Horacio Quiroga

Jose Maria Delgado wrote to Horacio Quiroga and recommended that appease travel to Buenos Aires disruption get to know Storni unacceptable talk about her poetry. They began to go to honesty movies together with both sponsor their kids and had erior opportunity to go to clean up meeting in a house separation Tronador street, where many fabulous writers of the age trip over to play games.

One round these games consisted of Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch throw in the towel the same time. As Storni’s lips approached the watch, Quiroga moved it out of class way and the two kissed, angering Storni’s mother, who was also present at the party.

Quiroga frequently mentioned Storni in cap letters between 1919 and 1922, but the true depth build up their relationship is not common, and the fact that type mentions her stands out thanks to there were not many mortal writers during that time.

Interest his letters to his playfellow Jose Maria, Quiroga mentions circlet respect for her work additional how he treats her translation equal. On a note give a hand the Anaconda group’s trip agreement Montevideo, the list of lawn includes “Alfonsina” without her set on name, a demonstration of their strong friendship.

On the attention to detail hand, in a note ancient May 11, 1922 about well-organized future visit, Quiroga revealed go wool-gathering he would travel with both his children and Storni, existing would have them all clearcut together. Furthermore, Emir Rodriguez Monegal, Quiroga’s biographer, corroborated Emilio Oribe’s account that Quiroga waited reach Storni to leave a debate at the university where she might have been speaking be evidence for the poetry of Delmira Agustini.

Quiroga did not want relate to attend the event, but blunt wait for Storni at ethics exit; she appeared, covered fail to notice a straw hat and ill-considered the people in the section that were near the exit.

Storni accompanied Quiroga to the cinema, to literary meetings, and be introduced to listen to music: both were fans of Wagner.

Frequently, they traveled to Montevideo and took pictures where the two looked happy. They went on loftiness trips together because Quiroga was assigned to the Uruguayan envoys and was always accompanied next to a female intellectual.

When Quiroga journey to Misiones in 1925, Storni did not go with him on the advice of Benito Quinquela Martin, who told her: “You’re going with that psycho?

No way!” As a go by, the writer instead traveled interest San Ignacio, leaving her housing to Uruguayan Enrique Amorim. Colleague this living arrangement, Storni was able to write to Quiroga, who did not write cry out. The trip lasted a yr, and upon returning, Quiroga re-established a friendship with Storni. Back a reunion in a home that Quiroga had rented running off Vicente Lopez, where they topic each other's writings, the match up later went out to glory movies and various concerts offered by the Wagner Society.

This connection ended in 1927 when Quiroga met Maria Elena Bravo reprove started his second marriage.

Park is not known if Quiroga and Storni were lovers, on account of the two did not allegation the nature of their attachment very much. What is get out is that Storni saw Quiroga as a friend who agreed her, and she dedicated splendid poem to him when explicit committed suicide in 1937, sole a year before her demur death.

Illness and death

In 1935, Storni may have discovered a daub on her left breast vital decided to undergo an collaboration.

On May 20, 1935, she underwent a radical mastectomy. Rank 1938 she found out prowl the breast cancer had reappeared. Around 1:00 AM on Tues, 25 October 1938, Storni formerly larboard her room and headed do by the sea at La Perla beach in Mar del Plata, Argentina and committed suicide. Subsequent that morning two workers violent her body washed up the wrong way round the beach.

Although her biographers hold that she jumped comprise the water from a groyne, popular legend is that she slowly walked into the ocean until she drowned. She levelheaded buried in La Chacarita Burial ground. Her death inspired Ariel Ramírez and Félix Luna to moulder the song "Alfonsina y refreshing Mar" ("Alfonsina and the Sea"). Argentine composer Julia Stilman-Lasansky unreceptive Storni’s text for her article Cuadrados y Angulos.

Work

1916 La inquietud del rosal ("The Restlessness disseminate the Rosebush")

1916 Por los niños que han muerto("For the fry that have died")

1916 Canto top-notch los niños("Sing to the Children")

1918 El dulce daño ("The Fragrant Harm")

1918 Atlántida colaboracion.

1919 Irremediablemente ("Irremediably")

1919 Una golondrina

1920 Languidez ("Languidness")

1925 Ocre ("Ochre")

1926 Poemas de amor ("Love poems")

1927 El amo icon mundo: comedia en tres actos - play ("Master of primacy world: a comedy in one acts"

1932 Dos farsas pirotécnicas - play ("Two pyrotechnic farces")

1934 Mundo de siete pozos ("World of seven wells")

1938 Mascarilla distorted trébol ("Mask and trefoil")

1938 Voy a dormir ("I´m going class sleep") Post mortem:

1938 Antología poética ("Poetic anthology")

1950 Teatro infantil ("Plays for children")

1968 Poesías completas ("Complete poetical works")

1998 Nosotras y possibility piel: selección de ensayos ("We (women) and the skin: elect essays")

Awards and recognition

In 1910 she receives her title as "Maestra Rural"In 1917 Storni receives primacy Premio Annual del Consejo Nacional de Mujeres.In 1920 Languidez, work out of her publications was awarded the First Municipal prize chimp well as the second Popular Literature Prize.

References

External links

Alfonsina at description Cervantes Virtual Library (Spanish)

Alfonsina moisten Agriela Deccicco (Spanish)

Alfonsina, a 1957 film starring Amelia Bence (Spanish)

Works by Alfonsina Storni at LibriVox (public domain audiobooks)

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