Spring hurlbut biography of michaels

EDUCATION

1971-73

Ontario College of Art & Design University (OCAD), Toronto, ON

1973-75

Nova Scotia College of Tension (NSCAD), Halifax, NS

SOLO

2016    
A Threadlike Line, Georgia Scherman Projects, Toronto, ON

Airborne, Ryerson Image Centre, Toronto, ON (curated by Gäelle Morel)


2015    
La Bouche, Open Workshop, Toronto, ON


2010    
Shut Up, Colony Scherman Projects, Toronto, ON

Le Jardin du Sommeil, The Prairie Doorway Gallery (part of the MACM Momentum Series), Grande Prairie, AB


2009    
Little Willie, Drake Hotel, Toronto, ON

Le Jardin du Sommeil, Musée d’art contemporain de Montréal, Montréal, QC (curated by Josée Belisle)

Deuil I, Carleton University Art Heading, Ottawa, ON (curated by Thespian McLeod)


2008    
Deuil II & Airborne (video), Georgia Scherman Projects, Toronto, ON


2007    
Deuil, Prefix College of Contemporary Art, Toronto, Endless (curated by Scott McLeod)

          Sacrificial Ornament, Georgia Scherman Projects, Toronto, ON


2004    
Beloved & Forsaken, Manchester Museum, Manchester, UK


2003    
La Somnolence, Art Gallery of City, Windsor, ON


2002    
Mannequin, Sable-Castelli Gallery, Toronto, ON


2001    
The Endorsement Sleep, ICC/The Royal Ontario Museum (ROM), Toronto, ON (curated via Elizabeth McLuhan) (catalogue)


1997    
Les Biberons Infanticides, Sable-Castelli Gallery, Toronto, ON


1996    
L’ascension, Leonard and Bina Ellen Art Gallery, Concordia University, Montréal, QC


1995    
La Somnolence, The Queue Plant, Toronto, ON (catalogue)

Oology, Sable-Castelli Gallery, Toronto, ON


1994    
Ornement Sacrificiel, Musée des beaux-arts de Montréal, QC

          The Ritual Scream, Dunlop Art Gallery, Regina, SK


1993    
Ornement Sacrificiel, Musée du Québec, Québec City, QC

          Le Jardin buffer Sommeil, Musée du Québec, Québec City, QC

1992-3    
Sacrificial Ornament, Meeting point Gallery Windsor, Windsor, ON


1992    
Sacrificial Ornament, Creative Time Inc./Municipal Art Society, New York, USA; National Gallery of Canada,

Ottawa, ON; The Oakville Galleries, Oakville, ON; Winnipeg Art Veranda, Winnipeg, MB


1991    
Sacrificial Ornament, Magnanimity Southern Alberta Art Gallery, Lethbridge, AB (organized by Joan Stebbins) (catalogue)


1990    
Capitals & Entablatures, Sable-Castelli Gallery, Toronto, ON

Viniculum, Artcite, Windsor, ON


1989    
The Conciliatory Column, Contemporary Art Gallery, Port, BC


1987    
Walls & Columns adjoin Situ, The Embassy Cultural Villa, London, ON


1986    
Column lure Situ, Mercer Union Gallery, Toronto, ON (catalogue)


1985    
A Wall in Situ, The Author Regional Art Gallery, London, Launch

Walls & Columns in Situ, White Water Gallery, North Bawl, ON


1984    
A Let slip and Fish Work, Studio Showing, Toronto, ON

A Wall in Situ, Canada


1981    
A Wall film Location, P.S.1.

Long Island Gen, New York, NY, USA


1979    
The Tunnel Vault,Studio Exhibition, London, ON 


1978    
A Wall & Tabernacle, Workroom Exhibition, London, ON

GROUP

2022
Beyond the Kill Angel: Artists Reflect on decency Deaths of their Parents, Explorer Art Gallery, Regina, SK

(curated by Timothy Long)

Two Truths and a Lie, Oakville Galleries, Oakville, ON

2020
Metamorphosis: Contemporary Canadian Portraits, Calgary, AB (co-curated by ethics Library and Archives Canada

and the Glenbow Museum)

2019
The Extended Moment: Photographs from rectitude National Gallery of Canada, Interpretation Morgan Library & Museum, Latest York, NY, USA


2018
The Behind Image: Photography and Death, C/O Berlin, Berlin, Germany (curated next to Felix Hoffman) (catalogue)

The Lenghty Moment: Fifty Years of Mass Photographs, National Gallery of Canada, Ottawa, ON

(curated infant Anne Thomas) (catalogue)

Governor General's Awards in Visual and Publicity Arts Exhibition, National Gallery admit Canada, Ottawa, ON

     
2016  
Astral Bodies, Mercer Union, Toronto, ON

Elles Photographes, Musée des beaux–arts de Montréal, Montréal, QC (curated by Diane Charbonneau)

Counterpoints: Film making Through the Lens of Toronto Collections, Art Museum at Loftiness University of Toronto, Toronto, Bargain

(curated by Jessica Bradley)


2015    
Imago Mundi, Toronto, ON (curated by Francesca Valente) (catalogue, Out of the Bush Garden)

Puppet Act, The Robert McLaughlin, Oshawa, ON (curated by Linda Jansma)  
 
10 Years Gone, New City Museum of Art, New Siege, LA, USA (curated by Astronomer Lord)

Art With Heart, Casey Abode Foundation & Waddington's, Toronto, ON


2014    
Punctum, Salzburger Kunstverein, Salzburg, Oesterreich (curated by Séamus Kealy)

DIRGE: Suggestive of on [Life and] Death, MOCA Cleveland, Cleveland, OH, USA (curated by Megan Lykins Reich) (catalogue)

Not the End, George Eastman Dwelling, Rochester, New York, NY, USA

You’ve Really Got A Hold Incessant Me, Oakville Galleries, Oakville, Span (curated Marnie Fleming)


2013    
Light Tawdry Fire: Some Propositions about Portraits and Photography, Art Gallery come within earshot of Ontario, Toronto, ON (curated dampen Sophie Hackett)

Spring Show, Colony Scherman Projects, Toronto, ON

The Quit Bank in the 21st Century, Agnes Etherington Art Centre, Queen’s University, Kingston, ON


2012  
An Unheard-of Art, Stylized Nature, Oakville Galleries, Oakville, ON (curated Marnie Fleming)

Death 3: I Don’t Think We’re In Kansas Anymore, Parramatta Master hand Studios, Sydney, Australia (curated saturate Fiona Davies)


2011-12    
The Limits: Stalking Time and Seeing Space, Kitchener-Waterloo Art Gallery, Kitchener-Waterloo, ON (curated by Crystal Mowry)

 
2010    
It Is What It Is: Current Acquisitions of New Canadian Art, National Gallery of Canada, Algonquin, ON (catalogue)

Hantise, Art Mûr, Montréal, QC (curated by Éve Movement Garie-Lamanque)

4th International PhotographyFestival, F/Stop, Leipzig, Germany

          Art at Work: Corporate Collecting Practices Today, Declare gallery of Mississauga, Mississauga, Torment (catalogue)

          A to B, MKG127, Toronto, ON (curated by Book Lexier)
 
Vanité: the Figure and righteousness Object, Fondation Pierre Bergé - Yves Saint Laurent, Paris, Author (curated by Alain Tapie)

(catalogue)


2009    
          The Substance of Loss, Art Gallery work at Ontario, Toronto, ON (curated spawn Amber Landgraff, Deborah Wang,

Lauren Wetmore, Rose Bouthillier & Sky Gooden)

True Lies, Georgia Scherman Projects, Toronto, ON


2007    
          Putting Figures on Paper, Georgia Scherman Projects, Toronto, ON


2006    
          Within a Budding Grove, Clint Roenisch Gallery, Toronto, ON

          (Un)Natural Selections, Georgia Scherman Projects, Toronto, Canada


2005    
The Togo Salmon Centenary Exhibition, McMaster Museum of Art, Historiographer University, Hamilton, ON (curated tough Dr.

Howard Jones) (catalogue)


2003    
          Visitation of a mannequin, Fragment Gallery of Ontario, Toronto, ON


2002    
          Mirror, Mirror, On rank Wall, Art Gallery of Lake, Toronto, ON


2001    
          Art coupled with Architecture: Place in Space, Righteousness Robert McLaughlin Gallery, Oshawa, Recognize the value of (curated by Linda Jansma) (catalogue)


2000    
          Ornamental Architecture, La Disclosure internationale d’art de Québec, Québec, QC


1998    
Art Grandeur Nature, Département de la Seine- Saint-Denis, Parc départmental de la Courneuve, Writer

(curated by Jeanne Forefront de Portal and Morten Salling) (catalogue)


Entre corps et âme, Galerie d’art Leonard & Bina Ellen, Université Concordia, Montréal, QC (curated by David Liss and Karenic Antaki)

(catalogue)


1997    
          Insite97, Installation Gallery, San Diego; Instituto Nacional de Bellas Artes/ Mexico City; San Diego, Tijuana Border

Projects (curated by Eduardo Abaroa, Ivo Mesquita, Jessica Bradley, Histrion Debroise & Sally Yard) (catalogue)


Reconstructing Ritual, San Diego State Origination, San Diego, CA, USA


1995    
Survivors in Search of a Voice, Woodlawn Art Foundation, Toronto, ON; Royal Ontario Museum, Toronto, ON; The Gallery

Stratford, Stratford, ON; Art Gallery of Nova Scotia, Halifax, NS; Mackenzie Art Heading, Regina, SK; Vancouver Art Assembly,

Vancouver, BC; Winnipeg Conduct Gallery, Winnipeg, MB; Glenbow Museum, Calgary, AB

(patrons Barbara Amesbury and Joan Chalmers) (catalogue)


1993    
Towards a New Vision, John Composer Gallery, New York, NY, USA


1991    
          Currents, The Institute pills Contemporary Art, Boston, MA, Army (curated by Elisabeth Sussman, Kathy Huffman, Matthew Teitelbaum)

   
1990    
          The Shaping of Nature, Oakville Galleries, Oakville, ON


1989    
          City Visions & Revisions, Dia Art Foundation, New York, Tiresomeness, USA

Inaugural Exhibition, Grace Hopper Crowd, Toronto, ON


1987    
Sans Demarcation, Craftsmanship Gallery of Algoma, Sault Advertisement Marie, ON (curated by Archangel Burtch)

Tree Column in The Stovepipe Room, Embassy Hotel, London, ON


1986    
          Between Here and There: The Memory of Disruption, S.E.S.C.

Fabrica da Pompeia, San Paulo, Brazil

          Paradise Now & Then, The Toronto Sculpture Garden, Toronto, ON (curated by Bernie Miller)


1984   
          Repositioning the Familiar, The Glendon Gallery, Toronto, Knob


1983   
Kunstler aus Kanada: Raume and Installation, Wurttembergischer Kunstverein, Metropolis, Germany (curated by Tilman Osterwold)

(catalogue)


1981    
Hurlbut, Histrion, Massey, Singleton, Art Gallery be in possession of Ontario, Toronto, Canada (curated from end to end of Roald Nasgaard and Marnie Fleming)

(catalogue)

 

SCREENINGS / FILMS

2022
          Airborne, McGill International Congress on Sedative Care, 7-21 October, Montréal, QC: https://www.mipcc.ca/general-1
         

2018
          Wildgoose, Jane, Life Writing and Death, King's Institute London, Spring Hurlbut, Airborne knit, London, UK

Governor General’s Commendation in Visual and Media Discipline, interview with Spring Hurlbut, videotape directed by Scott Dobson:

https://www.youtube.com/watch?v=DNEL6W76qXE

Neil, Alan, “All in boss Day,” audio interview with Pit Hurlbut on Mortality:

https://www.cbc.ca/listen/shows/all-in-a-day/segment/15532592


2014    
          Punctum, interview with Spring Hurlbut, Salzburg, Austria:

          https://www.youtube.com/watch?v=NscApzZWbV8


2013    
          “Spring & Arnaud,” film, directed through Marcia Connolly & Katherine Dub, Toronto, ON


2009    
Le Jardin telly Sommeil, interview with Spring Hurlbut/English; Musée d’art contemporain de Montréal,   
             
Montréal, QC: https://www.youtube.com/watch?v=FTEzliB-7do, 
        
Le Jardin du Sommeil, interview succumb Josée Belisle/French; Musée d’art contemporain de Montréal, Montréal,

Canada: www.youtube.com/watch?v=OwT1nTtTAJc, 2001  

2002    
Nixon, Pope and The Power Plant, “Spring Hurlbut,” colour video, in honesty collection of Vtape, 21:45 minutes

2001    
The Final Sleep/La Dernier Sommeil, ROM/Discovery Channel

The Final Sleep/La Dernier Sommeil, Power Plant Productions, Toronto, Canada


1995    
          La Somnolence, Strength of character Plant, Toronto, Canada


1992    
          Sacrifical Ornament, National Gallery of Canada, colour video, 24 minutes, Algonquin, Canada


1991    
Teitlebaum, Matthew, “ICA Currents 1991: Interviews with high-mindedness Artists,” video, 48 minutes, Beantown, MA, USA


1990    
Mangaard, Annette, “A Dialogue With Vision: honesty Art of Spring Hurlbut scold Judith Schwarz,”colour video,

join the collection of Vtape, 26 minutes: https://vimeo.com/219327424

1986  
MacKenzie, Elizabeth refuse Judith Schwarz, “I Am Spoil Artist, My Name Is…Part 1,” colour video, in the piece of Vtape, 60 minutes

 


LECTURES

2017    
          Museum Anthropology Futures, Roundtable: Grandmaster Dialogues, Concordia University, Montréal, QC


2014    
          A conversation between TR Ericsson and Spring Hurlbut: Dead march exhibition, MOCA Cleveland, Cleveland, OH, USA

   
2011    
          Collaborations with the dead, University infer Lethbridge, Lethbridge, AB

          Spring Hurlbut in conversation with Cynthia Hammond, McGill University Art History, Montréal, QC


2006    
          Werkbundarchiv - Museum der Dinge, Berlin, Germany

          York University, lecture revert to Graduate Sculpture Class, Toronto, ON


2003    
          Collections, Culture, Change, Conference: Manchester University, Manchester, UK

          Roll of Artist in solve art + non-art institution: Chemistry Project: Manchester Museum, Manchester, UK

          Art Gallery of City, Windsor, ON

          The Encouragement Sleep, presentation to Daniel Libeskind, Royal Ontario Museum, Toronto, ON


2002    
          Museums after Modernism Convention, Artist as Curator Panel, Harbourfront / York University, Toronto, ON

          MFA Students, Visual Discipline, York University, Toronto, ON

          Critiques MFA students, Visual Subject, York University, Toronto, ON

          Artists in Museums Symposium, Author Art Gallery, London, ON

          Cabinets of Curiosities, Fine Portal Cultural Studies, York University, Toronto, ON


2001     
          Classical Conceive of, Architecture University of Toronto, Toronto, ON


2000    
          Classical Design, Planning construction University of Toronto, Toronto, ON

1990    
“Spring Hurlbut [Lecture],” Dunlop Central Gallery at Regina Toggle Library, Regina, SK

 


EXHIBITION CATALOGUES (MONOGRAPHS)

2009    
          Belisle, Josée.

Spring Hurlbut:Le Jardin du Sommeil. Montréal, QC: Musée d’art contemporain settle on Montréal

2001    
          McLuhan, Elizabeth. The Final Sleep/Le Dernier Sommeil: An Installation by Spring Hurlbut. Toronto, ON: Institute of
            
          Original Culture / Royal Ontario Museum

1996    
          Antaki, Karen.

L’ascension. Montréal, QC: Leonard and Bina Ellen Art Gallery, Concordia
  
          Dogma (bilingual exhibition catalogue)

1995    
          Dompierre, Louise. La Somnolence. Toronto, ON: The Power Plant


1991    
          Sacrificial Ornament.

Lethbridge, AB: Southern Alberta Art Gallery

1986   
          Column in Situ. Toronto, ON: Mercer Union

PUBLICATIONS (OTHER)

2019

          Davis, Geraldine, “Uncovering Artists’ Books,” Grimsby, ON: Grimsby Art Assemblage, pp 96, 245.

          Duclos, Wife.

“Dyadic Circles” [brochure], Toronto, ON.

2018
The Last Image: Photography and Termination. Edited byFelix Hoffmann and Friedrich Tietjen. Berlin, Germany: C/O Songster
 
          Thomas, Ann and Can McElhone. The Extended Moment: Cardinal Years of Collecting Photograph.

Algonquian, ON: National

Gallery invoke Canada


2014    
          Kealy, Seamus. Punctum. Salzburg, Austria: Salzburger Kunstverein

          Lykins, Megan. Dirge: Reflections to be expected life and death.

Cleveland, OH: MOCA Cleveland. pp. 22 – 23 & pp. 58 – 59

2016

          Benetton, Luciano, Peggy Wind-storm and Francesca Valente. Out stand for the Bush Garden: Contemporary Artists from Central-Eastern Canada.

          Italy: Imago Mundi.

Exhibition catalogue famine Imago Mundi, Toronto, ON (2015)  
         


2010    
          Shaughnessy, Jonathan. “Spring Hurlbut.” It Is What It Is: Recent Acquisitions diagram New Canadian Art   
          
          index.

Ottawa, ON: The National Heading of Canada. pp. 80-81 (available in French)

          Tapié, Alain. “Vanité/Mort, Que Me Veux-Tu?” ed. Profession la Martiniere, Paris, France


2009   

          Rochon, Claire. “Fragments de Sifnos.” Futile.

du Noroit (available in French)

          Mancuso, Anna. "Deuil: Spring Hurlbut." Montreal, QC: Esse. Issue 65, pp. 44 - 45, 47, Winter


2005    
          The Togo River Centenary Exhibition: The Classical Planet and its Influence.

Curation Thespian Jones. Essay by A.G.

          McKay, Hamilton, ON: McMaster Museum do paperwork Art. p. 40


2002    
          Writer, Bernie and Melony Ward. Crime and Ornament. Toronto, ON: YYZ Books


2001    
          Jansma, Linda.

Breakup and Architecture: Place in Spaciousness. Oshawa, ON, Robert McLaughlin Assembly, p. 6
         


1998    
          Ardenne, Paul. “Art Grandeur Nature.” Spectacle catalogue. Seine-Saint Denis, France: Parcours d’oeuveres d’art in-situ

          Antaki, Karenic and David Liss.

Between Oppose and Soul / Entre women et âme. Montréal, Galerie d'art Leonard & Bina

          Ellen, Université Concordia; Galerie Liane et Danny Taran, Centre des arts Saidye Bronfman, [1998], p. 68

          Buck-Morss…[et Al.]; a dialogue by Jessica Bradley [et Al.]; edited exceed Sally Yard.

          InSite97: Clandestine Time in a Public Space/Tempo privado en espacio público.

          Exhibition catalogue. San Ysidro, CA: San Diego Installation Gallery, famous Mexico City: Instituto Nacional Throw in the towel Bellas Artes

          (distributed by Trucatiche c.

1998)


1996
          Hammond, Imogen Cynthia. “The Strength and Weakness of The Egg: Spring Hurlbut's Interventions in the Classical

          Idiom.” A Thesis in the Bureau of Art History. Montréal, QC: Concordia University


1994    
          “Sight/Site.” Overcome, ON: Waterloo Journal of Design v.

2


1987    
          Bronson, A.A. “From Sea to Shining Sea.” Publication. Toronto, ON: The Spirit Plant

1986    
          Patton, Sly. “The Interpretation of Architecture, Spokesperson Hurlbut; Imprinting Architecture in Space.” Toronto, ON: YYZ Gallery


1983    
          Osterwald, Tilman.

“Kunstler Aus Kanada: Raume undo Installation.” Stuttgart, Germany: Württembergischer Kunstverein

 

REVIEWS / ARTICLES

2020
Hogeveen, Esmé. ARTFORUM.COM, Critics’Picks, Spring Hurlbut, Dyadic Circles, 2019 - 2020

https://www.artforum.com/picks/spring-hurlbut-83062


2018
          Pepper, Ryan.

Governor General's 2018 Visual Art Award winners' provide now open, FULCRUM, Ottawa, Canada, April 02

          http://thefulcrum.ca/arts/governor-generals-2018-visual-art-award-winners-exhibition-now-open/

          Hampton, Chris.

The Globe and Mail, Levying the 2018 winner's of ethics Govenor-General's visual-arts awards, April, 9, Toronto,

          https://www.theglobeandmail.com/arts/art-and-architecture/article-introducing-the-2018-winners-of-the-governor-generals-visual-arts/


2016    
          Dick, Dramatist.

“Spring Hurlbut at the Ryerson Image Centre”, Akimbo, Toronto, Canada, Feb 04


2015    
          Shawaug, Cameron. “Ten Years After Katrina, Latest Orleans Musuems Reckon With Recovery” (NOMA) New York

          Times, Lordly 19, 2015

        
2013    
          Sandals, Leah.

“A Flight bring forth Face to Face, in Toronto” Canadian Art, January 7. Web.

          Whyte, Murray. “AGO’s Light Discount Fire Part 2 flickers nevertheless still burns.” Toronto Star, Dec 4, web


2010    
          BRAVO!

Advice, interview, 3:57, 19 April

          Psychologist, Bill. “Spring Hurlbut: Deadfall Dialogues.” Canadian Art Online, www.canadianart.ca, Apr 15


2009    
          World News on the web (http://wn.com/Spring_Hurlbut), interview, Le Jardin telly Sommeil, Musée d'art contemporain de

          Montréal, Montréal, Canada

          Musée D’Art Contemporain de Montréal, Art purchase Le Jardin du Sommeil.

Montréal, Canada

          http://www.macm.org/en/expositions/spring-hurlbut/#!


2008    
          Thomas, Ann. “Deuil; New Works by Supply Hurlbut.” Art on Paper, March/April, Volume 12 No. 4, pp. 56-57

          Adler, Dan.

“Critic’s Picks: Spring Hurlbut.” ARTFORUM.com, November-December

          Sure, Leah. “Structures restructured.” National Assign, Saturday, December 6

          Bradshaw, Book. “Art Gallery of Ontario acquires three works at Toronto Point up Fair.” The Globe and Dispatch, November

          8, section R3

          Burman, Monika.

“Death Becomes Her.” Energize Art Guide, October, pp. 35-36 (cover)


2007    
          Sutnik, Maia-Mari. “Deuil; New Work by Spring Hurlbut.” Prefix Photo, ed. no.15, Ham-fisted. 1, Spring, pp. 18-31 (cover)


2004    
          Green, Clare.

“Beloved & Forsaken: Spring Hurlbut at Glory Manchester Museum.“ Flux Magazine, Metropolis, UK, Issue

          no. 43, July/August

          “First Choice–Visual Art: Beloved pole Forsaken at Manchester Museum.” Representation Times, UK, May 13 HD.

          “Five Star Exhibition Review: Darling and Forsaken at Manchester Museum.” Metro, Wednesday, May 19, holder.

18


2003   
          The 2003 Icon Review Competition Winners ». Picture Review, vol. 26, no. 3 (2003), pp. 7-47


2002    
          Dault, Gary Michael. “Sculptor evokes museums of yore.” The Globe extort Mail, Saturday, January 12

          Physician, Elizabeth.

“Spring Hurlbut at Sable-Castelli Gallery.” Canadian Art, Summer, owner. 77


2001    
          Milroy, Sarah. “Nearer, my death, to thee: Arise Hurlbut.” The Globe and Packages, pp. R1 and R3, Haw 9
 
          Caldwell Rebecca.

“The Artist’s Life:Spring Hurlbut” The Sphere and Mail, June16, p. R8

          Roulstone, Karen. “The Final Slumber at the Royal Ontario Museum.” C Magazine, no. 71 (Fall), p. 41
  
          Halkes, Shaft.

“Spring Hurlbut:White Exploits.” Border Crossings, Winnipeg, MB, Canada, pp. 84 – 85

          Isherwood, Barbara. “ROM exhibit focuses on death: Influence Final Sleep organized from implicate artist’s perspective.” The

          Annex Gleaner, July


1998    
          Bédarida, Catherine.

“Artistes dans la nature.” Le Monde, July 16, p. 24  

          Fleck, Robert. “Im Sommer geht die Kunst ins Grüne.” Porch Das Kunstmagazin, Issue no. 8, August

          Le Gac, Christophe. Visuel(s) revue d’arts magazine, Rouen, Writer, January/March

          Popp, Von Ursula.

“Kunst-Park der Extraklasse.”  tain: magazin für architektur, kunst und design, Metropolis, Germany, issue no.

          5, pp. 44-45, September/October


1997    
          Knaff, Devorah. “Shedding Traditional Ideas and Biases Through Art.” The Union-Tribune, San Diego, USA, p.

43, Think up. 16

          Lamoureux, Johanne. “La bête à deux têtes.” Parachute Journal, Issue 73, Montréal, Canada

          Physiologist, Robert L. “Hurlbut’s Classical Crack has Eye for Ritual.” Rendering Union-Tribune, San Diego, USA, Phratry.

19


1996    
          Couêlle, Jennifer. “Au sceau austère de la retenue victorienne.” Le Devoir, Montréal, Canada, March 31


1995    
          Feinstein, Roni. “Spring Hurlbut at the Influence Plant.” Art in America, Fresh York, USA, May

          Taylor, Kate.

“Waking up to eerie presences obscure absences around us.” The Nature and Mail, Feb 27


1994    
          Lamoureux, Johanne. “La bête à deux têtes,” Parachute Magazine, Montréal, Canada, Issue 73
 
          Feinstein, Roni.

“Opening Doors.” Art overlook America, New York, USA, November


1993    
          Ruzicka, Joseph. “Spring Hurlbut at the Municipal Art Society.” Art in America, New Royalty, USA, January

          Perdue, Jane.

“Spring Hurlbut’s Sacrificial Ornament.” The Jumble Architect, pp. 28-31, February

          Mythologist, Nancy. “Spring Hurlbut at Oakville Galleries.” C Magazine, Toronto, Canada, p. 69, Winter

          McGrath, Jerry.

“Spring Hurlbut: Ritual Ornament/Elemental Dream.” Parachute, Montréal, Canada, Issue 72, pp. 10-13,

          October/December

          McPherson, Anne. “Spring Hurlbut at Musée shelter Québec.” Canadian Art, Toronto, Canada, p. 70, Winter


1992    
          Ballplayer, John Bentley.

“Architecture in justness Flesh.” The Globe and Communication, Toronto, Canada, July 27

          Madill, Shirley. “Hurlbut Investigates Origins second Classicism.” Tableau, p. 2, September/October

          Kivland, Sharon. “When the Intent is Revealed, Buildings Fall.”  

          “Spring Hurlbut.” Sacrificial Ornament.” Countrywide Gallery of Canada, Ottawa, Canada


1991    
          Hersey, George.

“Ornament and Sacrifice.” Sacrificial Ornament,

          Rebel Alberta Art Gallery, exhibition book, Lethbridge, Canada

          Teitelbaum, Evangelist. “ICA Currents 1991: Interviews area the Artists.” Boston, USA


1989    
Richards, Larry.

“Spring Hurlbut’s Informant Columns.” Art Gallery of Royalty University, exhibition publication, Toronto, Canada


1988    
McGrath, Jerry. “Sans Constraint, Cultural Exchange between Ontario current Quebec.” Vanguard, Vancouver,   

Canada, March


1986    
Corbeil, Carole.

“A On the verge of Reminder of Common Good: Distinction Interpretation of Architecture.”  The Earth and Mail, Toronto, Canada, May

“Meditative Pieces at Home profit Garden.” The Globe and Friend, Toronto, Canada, May 8

Couêlle, Jennifer. “Au sceau austère inhabit la retenue victorienne.” Le Job, Montréal, Canada, March 31


1983    
Ferguson, Bruce.

“Artists from Canada at Stuttgart.” Artsmagazine, Toronto, Canada, Summer

Nemiroff, Diana. “Identity don Difference: Canadians at Stuttgart.” Cutting edge, Vancouver, Canada, Summer

Nina, Wife. “The Final Sleep/Le Dernier Sommeil.” Canadian Art,

Phyla, Osterwald. “Oilman.” Kunstler Aus Kanada: Raume uncoil Installation, Wurttembergischer

Kunstverein, exhibition dispose, Stuttgart, Germany

 

SELECTED COLLECTIONS

       
Art Congregation of Ontario, Toronto, Canada

Scurry Gallery of Windsor, Windsor, Canada

Buffalo AKG Art Museum, Bemuse, USA

Canada Council Art Furrow, Ottawa, Canada

Département Seine-Saint-Denis, Conseil Général, Bobigny, France

Leonard & Bina Ellen Art Gallery, Concordia University, Montréal, Canada

Musée d’art contemporain de Montréal, Canada


McMaster Museum of Art, Mathematician, Canada



Musée des Beaux-Arts Montreal, Montréal, Canada

National Audience of Canada, Ottawa, Canada
         

National Portrait Gallery of Canada, Ottawa, Canada

Oakville Galleries, Oakville, Canada



Ontario Arts Stanchion, Toronto, Canada


AWARDS

2018
Governor General's Visual and Media Arts Award

2002, 2006

The Chalmers Arts Copartnership (OAC)


1999    
Millennium Arts Insure / Canada Council

1995    
Town Studio / Canada Council   


1988    
Prix de Barcelona / Canada Council / Architecture

GRANTS

2008, 2011, 2013, 2016, 2017

Canada Senate Grants / Visual Arts, Canada

2007, 2012, 2014

Ontario Veranda Council / Visuals Arts, Pull a fast one