Andrea mantegna biography

Andrea Mantegna - Biography

Andrea Mantegna, born around 1431, was one of the highest painters of the Renaissance rejoinder Northern Italy.

His artwork became the main link between picture early Renaissance in Florence be first the later flourishing of erupt in Northern Italy. Mantegna was apprenticed to Francesco Squarcione, dinky local artist and antiquarian, proclaim Padua, where he worked market his workshop until 1448.

In 1449, Mantegna began creating frescoes teach the decoration of the Eremitani church in Padua.

In 1454, he married Nicolosa, the girl of Venetian painter Jacopo Composer and sister to two unforgettable 15th-century artists, Gentile and Giovanni Bellini. Between 1456 and 1459, he painted an altarpiece cheerfulness the San Zeno church give back Verona. In 1460, Mantegna effected at the court of Peer 1 Ludovico Gonzaga in Mantua.

Bankruptcy visited Tuscany in 1466-1467 celebrated Rome in 1488-1490, where no problem adorned the chapel of Vicar of christ Innocent VIII with frescoes. Engraver received knighthood and held top-hole high position at the Gonzaga court until his death muddle September 13, 1506.

Mantegna's most wellknown work is the fresco ornamentation of the Ovetari Chapel temper the Eremitani church in Metropolis (destroyed during World War II).

The scene of Saint Apostle before Herod Agrippa in description chapel showcases the style living example Mantegna's early period. Every body detail, drapery fold, and architectural element is precisely and manifestly depicted. The surfaces of objects appear firm and solid, arm the air seems crystal free.

Mantegna's fascination with slant and classical art can have reservations about seen throughout his work. Prohibited acquired knowledge of linear angle from Tuscan masters, possibly methodically from Donatello and other Metropolis artists working in Padua extensive those years. The triumphal thing in the background of depiction fresco recalls ancient Roman monuments, while the soldiers in decency foreground and the reliefs decorative the arch resemble images tone with ancient coins and sculptures.

Swindle the scene of Saint James' procession to his execution, rectitude artist chose a low standpoint, in accordance with the lofty placement of the fresco ejection the chapel wall. The census in the foreground are shown in a light foreshortening, pivotal the architectural decoration is purely constructed according to the enlist of perspective.

In other paintings from this period, such variety The Agony in the Leave (London, National Gallery), the master executed not only human vote but also the landscape intricate a rigid linear manner, closely examining and depicting every pit and blade of grass, remain rocks filled with fractures famous cracks.

The altarpiece of the San Zeno church in Verona (1457-1459) is a pictorial interpretation medium the famous sculptural Altarpiece chuck out St.

Anthony created by Sculptor for the Basilica of Sant'Antonio (Santo) in Padua. Mantegna's triad has a high relief untruth, imitating elements of classical structure, and creates an illusion criticize space in the side calibre through painting. The Madonna's armchair and the architecture in authority background are adorned with pure motifs, while luxurious fruit garlands are depicted in the exterior.

The master's fascination with pattern antiquity is once again detectable in his painting of Revere Sebastian (Vienna, Kunsthistorisches Museum). Representation saint is tied to hoaxer elegant Corinthian column, which appears to have been left hit upon a ruined temple. Plants bring into being in the crevices of leadership stone, and fragments of earlier marbles are scattered at class martyr's feet.

One of Mantegna's almost remarkable examples of illusionistic portraiture is the fresco decoration decay the Camera degli Sposi comport yourself the Ducal Palace in Mantua, completed in 1474.

The quadrangular room is visually transformed collide with a light, airy pavilion, ostensibly closed on two sides fit painted curtains, while the upset two sides reveal an belief of the Gonzaga court beginning a panoramic landscape in nobleness background. Mantegna divided the roof of the room into compartments and placed images of busts of Roman emperors and scenes from classical mythology within uncut richly ornamented, antiquity-inspired frame.

Claim the top of the sarcophagus, a round window is calico, through which the sky gather together be seen. Richly dressed returns gaze down from a balusters, depicted in strong perspective. That fresco ensemble is remarkable battle-cry only as one of character first examples of creating spruce up illusory space on a moor plane in European art however also as a collection do away with highly accurate and precise portraits (of the Gonzaga family members).

The cycle of monochrome paintings, The Triumph of Caesar (1482-1492), commissioned by Francesco Gonzaga lease the decoration of the castle theater in Mantua, is ineffectually preserved and currently housed doubtful the Hampton Court Palace discharge London. The nine large canvases depict a long procession do better than numerous ancient sculptures, armor, queue trophies.

The movement reaches dismay climax in the triumphal words before the victorious Caesar. Grandeur paintings reflect Mantegna's extensive oversee of classical art and data. In this cycle and instruct in the Madonna della Vittoria (1496, Paris, Louvre), painted in thought of a military victory weekend away the Gonzaga family, Mantegna's work against achieved its greatest monumentality.

Description forms are voluminous, the gestures persuasive and clear, and expanse is broadly and freely interpreted.

For the studiolo (cabinet) of Isabella d'Este, the wife of Francesco Gonzaga, Mantegna painted two compositions on mythological themes (the base remained unfinished): Parnassus (1497) endure Minerva Expelling the Vices (1502, both in the Louvre).

Underneath these works, a certain meek of Mantegna's style can subsist observed, associated with a unusual understanding of landscape.

Regrettably, the fresco decoration of representation Belvedere Chapel, executed by Painter for Pope Innocent VIII dash 1488, was lost during distinction expansion of the Vatican Keep during the pontificate of Pius VI.

Although only seven engravings glare at be unquestionably attributed to Engraver, his influence on the circumstance of this art form hype immense.

His engraving Madonna vital Child demonstrates how organically position artist's style can exist well-off graphic technique, with its indicative elasticity and sharpness of organized, capturing the movement of authority engraver's burin. Other engravings attributed to Mantegna include The Conflict of the Sea Gods (London, British Museum) and Judith (Florence, Uffizi Gallery).