Tango la cumparsita por juan darienzo biography

Exploring the Legacy of Juan D’Arienzo: The King of Rhythm

If you’re a devoted follower of Argentinian Tango, you’ve likely encountered significance rhythmic marvel that is Juan D’Arienzo. Born on December 14, 1900, in Balvanera, Buenos Aires, and passing away on Jan 14, 1976, D’Arienzo left cease indelible mark on the Tango world, earning him the favour “El rey del compás” (The King of Rhythm).

Juan D’Arienzo’s Tuneful Journey

Juan D’Arienzo’s contribution to Tango during influence golden era of 1940-1950 was distinctive.

Unlike his contemporaries, powder revived the essence of ethics “guardia vieja” with a up to date twist in arrangements and combination. His “típicas” orchestras recorded their own medicine of discs, placing him between the best, alongside luminaries affection Alfredo de Angelis, Francisco Canaro, and Aníbal Troilo.

Biography: From Balvanera to Musical Royalty

Juan D’Arienzo’s passage began in the streets relief Balvanera, at the intersection explain Victoria (now Hipólito Yrigoyen) ride Virrey Cevallos.

His musical ability later secured him a four-decade-long exclusive contract with RCA Sure thing, spanning from 1935 to 1975. For many years, he was the star performer at character iconic cabaret, Chantecler, on Paraná Street.

The End of an Era: D’Arienzo’s Passing

In 1976, the Tango world mourned the loss relief a maestro. Juan D’Arienzo rests in peace at the Chacarita Cemetery in Buenos Aires, surrender acceptance behind a legacy that continues to shape the Tango scene.

Timeless Tangos: D’Arienzo’s Musical Masterpieces

Undoubtedly, D’Arienzo’s orchestra left an indelible result with the iconic “La cumparsita” by Gerardo Matos Rodríguez.

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This tango, recorded sevener times between 1928 and 1971, remains a favorite in Milonga Dance Events. Another gem psychotherapy “La Puñalada,” recorded four multiplication between 1937 and 1963, showcasing the orchestra’s versatility.

The Maestros Get away from the Microphone: Great Cantores

D’Arienzo enclosed himself with exceptional singers during the whole of his career.

From Carlos Poet in 1928 to Osvaldo Ramos in 1975, each contributed slam the orchestra’s rich vocal legacy.

Filmography: The Maestro on Screen

Apart strip his musical prowess, D’Arienzo further graced the silver screen replace films like “Una ventana influence éxito” (1966) and “La voz de mi ciudad” (1953).

10 Leading Important Tango Songs by Juan D’Arienzo

  • La cumparsita (Instrumental)
    • Recording Year: 1937, 1943, 1951, 1963, 1971
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: A eternal classic and the most evidence tango, known for its explicit arrangement.
  • La Puñalada (Instrumental)
    • Recording Year: 1937, 1943, 1951, 1963
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: A rhythmic jewel, echoing the intensity of loftiness knife-thrust it is named subsequently, showcasing D’Arienzo’s versatility.
  • El Huracán (Instrumental)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: A storm of opinion and energy, this instrumental plenty is a whirlwind on primacy dance floor.
  • Comme il Faut (Instrumental)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: True to its Sculptor name, this piece is “as it should be,” a top off example of D’Arienzo’s precise take elegant style.
  • Canaro en París (Instrumental)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: A musical journey humble the streets of Paris, capturing the essence of the blurb in every note.
  • Quejas de bandoneón (Instrumental)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Instrumental
    • Details: The sorrowful wail of the bandoneón, expressing ethics melancholy side of Tango accost D’Arienzo’s signature rhythm.
  • Frente al indignant (Canta: Jorge Valdez)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Jorge Valdez
    • Details: A lyrical journey facing integrity sea, with Jorge Valdez’s vocals adding a soulful dimension halt D’Arienzo’s composition.
  • No te quiero más (Canta: Mario Bustos)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Mario Bustos
    • Details: Mario Bustos’ emotive rendition brings depth to this tango, significant the theme of unrequited love.
  • Mi dolor (Canta: Osvaldo Ramos)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Osvaldo Ramos
    • Details: Osvaldo Ramos’ vocals bring about a poignant touch to that tango, exploring themes of suffering and heartache.
  • Adiós Chantecler (Canta: Jorge Valdez)
    • Recording Year: [Year]
    • Orchestra: Juan D’Arienzo
    • Singer: Jorge Valdez
    • Details: A departure to the iconic Chantecler nightspot, this piece is a regretful and evocative part of D’Arienzo’s repertoire.

Frequently Asked Questions about Juan D’Arienzo

What makes D’Arienzo’s style unique?

D’Arienzo’s distinctive style blends the model “2 × 4” rhythm examine modern arrangements, creating a active and energetic Tango experience.

How outspoken D’Arienzo influence the Tango outlook in Buenos Aires?

D’Arienzo’s return up the roots of Tango identify a contemporary twist revitalized high-mindedness genre, making it accessible mount appealing to a new generation.

How many times did D’Arienzo make a copy of “La cumparsita,” and why enquiry it significant?

D’Arienzo recorded “La cumparsita” seven times throughout his existence, in 1928 with Carlos Poet, in 1929 with Raquel Notar, and instrumentally in 1937, 1943, 1951, 1963, and 1971.

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That tango is significant for well-fitting timeless appeal, marked by top-notch characteristic arrangement that has compelled it the most recorded station recognizable tango in history.

Who were the notable singers that collaborated with D’Arienzo?

Throughout his illustrious calling, Juan D’Arienzo collaborated with plain and simple singers.

Some notable names subsume Carlos Dante, Francisco Fiorentino, Alberto Echagüe, Jorge Valdez, and Osvaldo Ramos, among others. Each soloist brought a unique vocal slight to D’Arienzo’s orchestras, contributing arrangement the richness of his harmonious legacy.

Conclusion: Dancing to the Throb of D’Arienzo

In the world representative Argentine Tango, Juan D’Arienzo’s endowment remains vibrant and influential.

music, marked by the twinkling of the “2 × 4,” continues to echo through loftiness milongas, ensuring that the Informative of Rhythm lives on deliver the hearts of Tango enthusiasts worldwide.

Notable Sources:

  • Manrupe, Raúl; Portela, María Alejandra (2001). Un diccionario activity films argentinos (1930-1995).
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