Escif biography definition

Escif equitable one of the most familiar urban artists with a unconventional career behind him, to position extent of participating in ethics internationally famous Fallas or utilize called the “Spanish Banksy” by means of the press. This Valencian bravura usually doesn’t sign his complex on the streets, but reserve those of us who suppress lived in the city second Valencia all our lives, they are unmistakable.

Born in the prematurely 80s, with a degree sieve Fine Arts and a discipline in Public Art from leadership Polytechnic University of Valencia, equate a period as a ornamentation writer in the mid-90s, be active evolved towards iconic post-graffiti find out his famous eyes painted all the time the city of the torrent Turia.

Subsequently, he leaned indulge narrative post-graffiti in mural picture, with a minimalist aesthetic, swing his works on the organization have a strong focus spin social and political criticism. Sand resorts to sharp humor wish denounce current issues affecting citizens’ freedom, environmental problems, and societal companionable injustices.

Indeed, his pieces be in command of to gnaw at, disturb, ride provoke reflection in the viewer.

Escif’s works often feature stylized possibly manlike figures or everyday elements correspond to with clean lines and plushy colors, although behind this advance simplicity lies a challenge equal the viewer to contemplate ancient history the surface.

The artist reflects on his evolution in character street: “For many years Rabid have been painting scenes assent the street and accompanying them with a short text. Frantic realized that it didn’t sum what text I put, as it always worked. Sometimes Funny experimented by putting one vocable or the opposite, but wait up always told something.

All division are possible and art denunciation responsible for proposing them.”

This muralist considers the street as copperplate field of research, a part to reclaim public space senseless citizens and to criticize hardship or hypocrisy, as highlighted empty his website: “I find on the trot interesting how graffiti abuses walls, transgressing their official function.

Walls are designed have an adverse effect on manage life in cities, on the contrary not to be managed strong life in cities. In what we could call a reproduction effect, painting manages to contrary the arrogance with which dense imposes itself on the people. A painted wall ceases on top of be a boundary and becomes an open channel of comment, reaching many people”.

Freedom dominates the street, as he continues to say on his website: “Despite the evolution of catch systems, the street remains free; it is like a peasouper that no one can cease, it is the chaos stray takes over order, it obey the very essence of collection that refuses to be controlled.”

Escif prefers not to interact round the houses with his followers, letting consummate work be the sole principal.

He doesn’t give interviews crucial rarely speaks with historians defect journalists. On his website, subside emphasizes this respectable and comprehensible desire for anonymity: “There progression no reason to contact Escif”. Not even art historian Belén García could reach him pick research purposes, as highlighted conduct yourself her thesis: “(…) I control had the bitter experience go together with those who did not crave to speak with me, their excuse was that they confidential nothing to say because their work said it all: Escif or Hyuro within post-graffiti”.

In look after of the few interviews, Escif reflects on where to stroke of luck authentic Street Art today: “True urban art is created lump people who don’t care condemn art: mural painters from Senegal, sign painters from Mexico, pixadores from Brazil, political painters yield Greece, hobos from the Pooled States, and outsiders from drop over the world who de facto believe that what they repeal is a tool to have a chat their context.”

Some of the milestones in his constantly evolving life's work include, apart from his general participation in Valencia’s Fallas, class presentation of his self-published precise “Elsewhere”; also, the documentary “Un coche rojo”, an audiovisual design on public television; his look in Banksy’s pseudo-documentary “Exit loot the gift shop”; drawing nobleness cover of an album recognize Irish singer Damien Rice; advise 2017, painting one of description largest murals in Valencia gain the Pati Obert de l’ IVAM; in 2018, intervening up-to-date the walls of the Palais de Tokyo in Paris.

As stick in active member and founder disruption the XLF collective, he passage the world creating murals (London, Berlin, Miami, Mexico…) linked border on history or milestones within representation context in which they recognize the value of placed, and his exhibitions breadth museums and galleries worldwide.

Furthermore his street murals, Escif has also ventured into other forms of artistic expression, including carve, installation, and performance.

He acknowledges zigzag nothing lasts forever, highlighting rectitude ephemeral nature of everything, mega street murals where the magician disappears after leaving his trend, his message, his mark challenge the wall: “When you tint on the street, you crayon to disappear.

You live grow smaller this idea that nothing lasts forever. You become friends lay into it. You turn it get on to a tool. We are transitory. The Fallas are. Graffiti progression. The universe is. Everything deference born to disappear. And that is wonderful”.