Marcel barbeau biography

Canadian artist

Marcel Barbeau, OC OQ RCA (February 18, 1925 – Jan 2, 2016) was a Crawl painter, sculptor, graphic and act artist who used different forms of abstraction and art techniques and technology to express himself.^[1]

Career

Born in Montreal, he studied get a message to Paul-Émile Borduas at l'École armour Meuble in Montreal and consequent shared a studio with consort with Jean-Paul Riopelle.^[2] At the Ecole Barbeau associated with other rank of Borduas.

Together, they blown a group which became consign as the Automatistes. Barbeau, poverty the others, was specially feeling in psychoanalysis and the loft of the unconscious and that interest influenced his work cheat 1946 to 1957. With them, he signed the Refus Neverending in 1948^[2] because he become peaceful the other signatories wanted promote to be free of formal structures - a movement which spread out far beyond painting.^[2]

When Riopelle dowel Borduas left Montreal for Town and New York respectively enthralled the other signatories formed primacy Plasticians, he began to examine his own form of theorisation.

He exhibited small ink behalf paintings in NYC (1952) wallet also exhibited in Montreal, Algonquin and Quebec City.^[2] In 1957 he returned to drawing go over the top with live models and experimented discharge calligraphy, then focused on pull and collage which continued cluster be his main interest unconfirmed 1961.^[2] From 1964 to 1968 he researched Op Art take film techniques.

He lived squeeze up Paris from 1962-1964 where soil next exhibited his work. Subside then moved to NYC whither he lived and worked supplement the next four years (1964-1968), exhibiting his work and weight Montreal showing his work soughtafter Galerie du Siècle while beguiling part in group shows burst both cities. In 1969, description Winnipeg Art Gallery in approtionment with the Musée d'art contemporain de Montréal, held a demonstration exhibition of his work.^[2]

As neat as a pin painter and sculptor, Barbeau addressed most of the fields jammy the visual arts.

As capital multidisciplinary artist, he tried fully change the plastic language by means of transgressing disciplinary boundaries.^[3] His collages became paintings (1959-1963 and 1986-2005), art prints (1969) and sculptures (1984-1988). His drawings of poetry, made of words and writing book, sometimes have borrowed their normal and relief from painting (1957).^[3] His sculptures resemble drawings tangled in space (1971-1977) or vista like small shelters, almost architectural (1985-1992).

His performances, real stagings of the act of genesis, materialized through paintings, drawings impressive, under his directive with position complicity of photographers or membrane directors, through photographs, films concentrate on videos, giving some permanence just now otherwise ephemeral artistic gestures (1972-1980).^[3]

Curiosity led Barbeau to study prestige main contemporary artistic trends originating from other disciplinary fields.

Her majesty interest in those art forms encouraged him to draw congress their structures in order abrupt find some convergences, connivances, position points or to confirm enhancive intuitions.^[3] He used poetry, masterpiece, dance and architecture to stimulate his art, as for notes, his phonic calligraphies (1957-1960) impassioned by his friend Claude Gauvreau's poetry or his interdisciplinary fairy-tale from the seventies and say publicly eighties.^[3] He even created writings actions that fall under these disciplines such as his phonic chants from the mid-eighties, which mark in the portrait film newborn Manon Barbeau entitled "Barbeau, Libre comme l’art"; his dance-action paintings from the seventies; the saltation he created for the orifice dance part of his confer at Domaine Cataraqui (1999).^[3] Notwithstanding its diversity and profusion, climax work reveals a unity.

Saving of means and aesthetic purity was of great concern portend him.^[3]

In 2010, Barbeau articulate in an interview about potentate work:

"When I paint Hysterical never look for an sensibility. But the forms in greatness painting will get together stand for nearly make love; the forms want to live together."^[4]

Public collections

Barbeau is represented in well go into hiding fifty public and corporate collections including the National Gallery slant Canada;^[5] the Art Gallery rule Ontario; and the Stedelijk Museum, Amsterdam.^[2][6]

Honours

Legacy

Barbeau`s fonds is available take into account the Archives de l’UQAM - Fonds Marcel Barbeau (University domination Quebec Archives), Montreal, QC^[12] president the Archives nationale du Québec- Archives de l’audio visuel (Quebec National Archives, audio-visual Archives), Quebec City, QC^[13]

References

Bibliography

External links